Kilburn, situated in North-West London, is a patch of land spanning three boroughs, Camden, Brent and Westminster. Kilburn has many different identities and voices. Kilburn is a welcoming neighbourhood that has evolved into a multicultural realm, where diverse identities intersect amidst a backdrop of constant change.  

The use of the word Museum is a provocation that challenges traditional notions of institutionalised spaces. The addition of Lab suggests that museums can be participated self-determined entities that prioritize what is valuable and meaningful to their respective communities.

By documenting and celebrating the diverse narratives that shape our community, the Kilburn Museum Lab seeks to engage the community actively, fostering understanding and appreciation for our cultural, ethnic, and socioeconomic diversity, and sharing the myriads of hidden stories that contribute to shaping our collective sense of place.

The Kilburn Museum is a cultural space with a strong community focus, dedicated to positively influencing Kilburn’s social fabric. It serves as an agent for change to empower collective ownership of cultural heritage and shape future outcomes.

The museum is a work in progress, devoid of a fixed plan or plot, evolving with the collective vision of its community.


To view the latest NEWS, click here or on the images on the left.

To explore the Museum’s content - ARCHIVE, CONTRIBUTIONS and INTERVIEWS - click on ghe images on the left 

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︎THE PAST
︎THE PRESENT
︎THE MAKING


partners & friends
>Camden Kilburn Library
>Paprika Collective
>Local Studies and Archives Centre
>One Kilburn
>KilburnLab

press
︎︎︎ SHAPE Involve and Engage: unearthing the people’s history of Kilburn
 ︎︎︎Interior Architecture students explore Kilburn’s hidden stories in latest phase of innovative community and Middlesex University project


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Arcana Mundi — Economy and Eccentricity



“Profuse strains of unpremeditated art.”
(Shelley)
                 A rock is a perfect metaphor, an allegory in volume. When placed it’s sculptural limits beget a kind of artistic proposition — and when considered with reduced anthropomorphism and ungeologically — produce a ready-made analog to the causation and bounds of our attempts at the understanding of all things.

Here the sculptor has made no concessions; no attempts to curry favor with curators or collectors — pieces wholly outside discourse. And if pressed for an affiliate movement for these “sculptures” (i.e. Cubism, Mannerism, etc.)… perhaps Monism or Cosmogonism? Definitely not Conceptualism or Pataphysics — Actualism?

The analog? Well for sure it is 1:1. Weird; yes — a knot to be admired for it’s curves — not for untying. An emergent surface as thick as it’s mass. 
 
Were it possible for the instances of our minds or world events to be mapped and dimensionally materialized, something similar to a rock would appear — areas of smoothness yielding to pockmarked particularities, density shifts and feathered explosions. What really is the shape of a boom town? A pilgrim’s journey? A section of jungle mayhem? A boring era? The silhouette of a father’s cold slap? The contours of a brief, intense friendship? Comfortably we perceive all of these things as ready to be integrated into ledgers or novels or timelines; but really they are queer crags and striations of unimaginable idiosyncrasy.

So yes, the reflective, reasonable yield of our mind has much symmetry (computation, cataloguing, narrativizing, etc.) but it’s actual shape is no shape, but unfolding chaos and singularity visible only to our particular time-scale. Our species-wide symmetries and quantizations are basically improvisations white-labeled onto directionless infinitude attempting the constant creation of navigable Dimension.

So, look intimately at a rock, walk around it, get up close to it, savor it’s complexion and composition as you would any painting or temple and see it as the faultless mirror that it is — a truly perfect sculpture.


ABSTRACTION AND EMPIRICAL ILLUSTRATION
We live our lives made up of a great quantity of isolated instants. So as to be lost at the heart of a multitude of things. (From the Double Dream of Spring, 1970.)




  1. Gavrilo Princip’s last grocery list written
  2. The time that alligator ate that fish
  3. When the Yongzheng Emperor found that weird dust bunny under his throne
  4. The great earthquake of Alexandria
  1. The invention of expectation in literature
  2. When the heaviest cacao fruit fell in Takalik Abaj
  3. Animesh eats his first Fly Agaric mushroom
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